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Piero della Francesca
dal 12/1/2014 al 29/3/2014
fri-sat 10a.m.-9p.m. sun-thur 10a.m.-5:30 p.m.

Segnalato da

Mary Flanagan


approfondimenti

Piero della Francesca



 
calendario eventi  :: 




12/1/2014

Piero della Francesca

Metropolitan Museum of Art - MET, New York

Personal Encounters. The exhibition is a focused presentation on his devotional paintings. It consists of the following paintings: "Saint Jerome and a Donor" from the Gallerie dell'Accademia, Venice; "Madonna and Child with Two Angels (the Senigallia Madonna)" from the Galleria Nazionale delle Marche, Urbino; "Saint Jerome in a Landscape" from the Gemaldegalerie, Berlin; and "Madonna and Child" from a private collection in New York. At the Andre' Mertens Galleries, the 'Early American Guitars: The Instruments of C. F. Martin' exhibition features approximately thirty-five instruments from different museums and several private collections.


comunicato stampa

Through a special collaboration with the Gallerie dell'Accademia, Venice, and the Galleria Nazionale delle Marche, Urbino, The Metropolitan Museum of Art will host a focused presentation on the devotional paintings of Piero della Francesca, addressing Piero’s work for private devotion for the first time. The four works on view have never before been brought together; the exhibition, therefore, promises to make an important contribution to the study of this major figure of the Renaissance. Piero della Francesca: Personal Encounters, on view at the Metropolitan Museum beginning January 14, will consist of the following paintings: Saint Jerome and a Donor from the Gallerie dell'Accademia, Venice; Madonna and Child with Two Angels (the Senigallia Madonna) from the Galleria Nazionale delle Marche, Urbino; Saint Jerome in a Landscape from the Gemaldegalerie, Berlin; and Madonna and Child from a private collection in New York.

The exhibition is made possible by the Foundation for Italian Art & Culture (FIAC). It was organized by The Metropolitan Museum of Art in collaboration with FIAC, in celebration of the opening of the New European Paintings Galleries, 1250-1800.

The loan of the Madonna di Senigallia is by arrangement with the Ministero dei Beni e delle Attività Culturali e del Turismo and the Italian Carabinieri Command (CCTPC), working together with la Soprintendenza per i Beni Storici Artistici ed Etnoantropologici delle Marche – Urbino, as part of 2013 – Italian Year of Culture in the United States.

Exhibition Credits
The exhibition is organized by Keith Christiansen, John Pope-Hennessy Chairman of the Department of European Paintings, and Andrea Bayer, Curator of European Paintings, at The Metropolitan Museum of Art.

Publication
The exhibition will be accompanied by a brief catalogue with essays written by Keith Christiansen. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press, and will be available for sale in the Museum’s book shops.

The catalogue is made possible by The Christian Humann Foundation. Additional support is provided by Jane Beasley, in memory of John P. O’Neill.

Related Programs
Education programs will include a Friday Focus Lecture on February 28, 2014 and exhibition tours.

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Early American Guitars: The Instruments of C. F. Martin
January 14 - December 7, 2014

Thirty-five rare guitars that illustrate the early history of the instrument in America will go on view at The Metropolitan Museum of Art, beginning January 14. Drawn from the Museum’s own holdings as well as from the Martin Guitar Museum in Nazareth, Pennsylvania, and several private collections, Early American Guitars: The Instruments of C. F. Martin will trace the birth of the American guitar by shedding light on the contributions of Christian Frederick Martin, a German immigrant who invented a uniquely American form of the guitar in the first half of the 19th century. The exhibition will highlight the largest collection of instruments by this renowned maker ever to be displayed publicly, including the earliest known guitar signed by Martin, the earliest established guitar with his famed X-braced construction, and several extraordinary decorated examples of his work. Also on view will be a 1939 guitar made by Martin Guitar that was played by Eric Clapton on MTV’s Unplugged series in 1992, representing the long trajectory of guitar building by the company founded by Christian Frederick Martin.

The exhibition is made possible by The Martin Guitar Company.

The exhibition draws from recent research that establishes the influence that Spanish guitars from the region of Andalusia had on Martin, who was trained in the Viennese school of instrument building. Martin used elements from both traditions to develop his own model that constituted a distinctly American style of building guitars. Included in the exhibition will be guitars from the Austro-German and Spanish guitar makers who influenced Martin’s designs, as well as comparative examples by American makers who were contemporaries of Martin. Early American Guitars: The Instruments of C. F. Martin coincides with the publication of this new information in the book Inventing the American Guitar.
Born in 1796 to a cabinet maker in Markneukirchen, Saxony, Christian Frederick Martin learned to build guitars in the style of Johann Georg Stauffer in Vienna. Due to the restrictive guilds in Markneukirchen, Martin left his country in 1833 and settled first in New York City, then moved to Nazareth, Pennsylvania. In the United States, he encountered the Spanish-style guitar of the type that was made in the southern Spanish region of Andalusia. In a remarkable period of about 20 years, Martin went from building guitars in the Viennese tradition to encountering and copying Spanish-style guitars, to developing an original design that borrowed from both traditions and ultimately set a course for all American guitar-making that followed.

In addition to his legacy as a craftsman, C. F. Martin also founded a guitar company in Nazareth that continues to be family-owned today. The company has been one of the most influential firms in American music for 180 years.

Exhibition Credits and Related Programs
The installation is organized by Jayson Kerr Dobney, Associate Curator in the Department of Musical Instruments at The Metropolitan Museum of Art.

Related education programs will include How Did They Do That?; Early American Guitars programs for all ages on March 8 and 9; and a Sunday at the Met presentation on March 16.

Image: Piero della Francesca, Saint Jerome and a Supplicant, Ca. 1460–64 (?). Tempera and oil on wood, 19 ½ x 16 ½ in. (49.4 x 42 cm). Gallerie dell’Accademia, Venice

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Press preview: Monday, January 13, 10:00 a.m.-noon

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