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Opening - 22. October 7 pm
Workshop 25. - 27. October, 4- 6 pm
Seminar 29. -30. October, 4 - 8 pm
Conzert - 29. Oktober 23 Uhr im Hi-Club, Nadlerstr.
Filmprogramme November - December
Panel Discussion - 29. November, 7 pm
Video, Lecture und Discussion - 3. December, 7 pm
Videoprogramme - 9. - 10. December, 7 pm
Party - 10. December, 10 pm
PINDORAMA is the word coined by the Brazilian indigenous people for their land, the land of the palm trees. ENTRE means an invitation to enter, but also means in-between.
ENTRE PINDORAMA is an exhibition and event project that was conceived for the Künstlerhaus Stuttgart together with the Brazilian artist and dramaturgist Giogio Ronna The central theme of the exhibition is the presentation of and debate around contemporary Brazilian art. The project has been embedded in the Künstlerhaus yearly programme, due to it being about shifts in cultural identities and the breaking down of set conditioning. The two central terms are participation and empathy.
ENTRE PINDORAMA incorporates different positions from contemporary Brazilian art, which all move and find their expression within a very different context. The debate surrounding the ideas of the Antropofagia is not central, however it can be seen as a part of a cultural memory*.
At the same time, it is not about taking a further exotic look at a Latin-American country, but about growth and enrichment. ENTRE PINDORAMA sees itself as providing a chance to think about cultural codes from a different angle and perhaps to counteract the digestive problems of western social structures and to redress them. (Workshop with Ricardo Basbaum)
In addition to the exhibition there will be a series of lectures, which will present antropofage ideas and strategies and will explore its topicality and importance for a non-Brazilian audience.
An accompanying film programme shows the historical processes in the history of Berlin, the influence of antropofagia, later the tropicalismo of the sixties and seventies, and also the strategies of resistance during the dictatorship up until today in the context of the conflicts and problematic within Brazilian society. We can see prospects and continuity amongst other things in the development of a unique style in Brazil's hip-hop culture and we will be inviting the organizers of the hip hop festival Hutus, that was held in 2003 for the first time, to present a video programme.
This project is intended to be an initiative, to be continued in other places and institutions.
Elke aus dem Moore
Artistic Director of Künstlerhaus Stuttgart
* Antropofagia was an intellectual movement in the twenties in Brazil, which had its roots in a very heterogenic group of poets, philosophers and artists, and whose ideas were recorded in the Manifesto Antropofagia by Oswald de Andrade. A poetic vision of cultural reformation that calls for us to seek a maximum of positive, warm interaction with the â-œotherâ-, to recognise oneself in â-˜others' and to completely absorb the â-˜other', and if necessary spit out that which cannot be digested. This combination cannot fail to produce a pulsating vibrancy and regeneration.
The understanding of cultural production that accompanies this is influential for the next generation of Brazilian art. Central to nearly all of the productions is the questioning and disregard of cultural hierarchies, the drawing up of own territories, the combination of art and life, experimentation and participation.
schedule of events
22. Oct. 7 pm Exhibition Opening
'Primeira amor à primeira vista', Music by tim easy
'eu - você [me - you] + NBP (9 choreographic experiences)'
with Ricardo Basbaum
Workshop for artists, students, and others (in English)
Seminar
29.+30. Oct. 4â--8 pm
'Antropofagia Yesterday & Tomorrow'
Eat. Digest. Produce. These organic metaphors stand for the search of intellectual autonomy by abolishing cultural borders. How has this utopian model evolved since the publication of the Manifesto Antropófago in 1928? What is its aim?
Guests: Rudá Andrade (artist, Sao Paulo), Ricardo Basbaum (artist, author, Rio de Janeiro), Sabeth Buchmann (art historian, Berlin/Vienna), Hans-Christian Dany (artist, author, Hamburg), Rubia Salgado from MAIZ (Autonomes Integrationszentrum für Migrantinnen (Independent Center for the Integration of Migrants), Linz), Maria Moreira (artist, author, London), Wendelien van Oldenbourgh (artist, Rotterdam), Thomas Sandführ (literary historian, Darmstadt)
The seminar is compiled of a series of lectures and is open to the general public (in English).
Concert
29. Oct. 11 pm
Tati Quebra Barraco (Tati AKA house wrecker)
MC Tati is a rapper from Cidade de Deus, Rio de Janeiro
Club Hi, Nadlerstrasse in cooperation with Ladyfest Stuttgart-Esslingen
Filmprogram
Nov. â-- Dec.
Invention & Subversion
From the 1931 experimental masterpiece "Limite" to the 2004 rap documentary "Fala Tu", a brief history of innovation in Brazilian cinema underlined by a troubled political landscape.
In cooperation with the Kommunalen Kino Stuttgart
First screening (further screenings to be announced):
1. Nov. 8 pm "Limite", Brazil, 1931, b & w, 35mm, 120min, silent.
Dir: Mário Peixoto, Kommunales Kino, Stuttgart
Panel Discussion
29. Nov. 7 pm
CulturalExChange
Cultural Exchange: Appropriation, Ejection, Dissolution and Solidification
Teresa Pinheiro (literary historian)and Jens Badura (philosopher) discuss questions on the construction of cultural identity by incorporating and repulsive processes of the cultural exchange.
This panel discussion is realized in cooperation with IZKT (International Center for Culture and Science Research of the University of Stuttgart)
Video, Lecture and Discussion
3. Dec 7 pm
The artist Julika Rudelius and the author Mark Terkessidis talk about the psychology of racism.
Video Program
09. + 10. Dec 7 pm
'Hutúz Festival' (Rio de Janeiro)
curated by Rafael Dragaud
Party
10. Dec. 10 pm
FESTA DE ENCERRAMENTO with guests
Altri comunicati
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